Agora, 2005-2006
Magdalena Abakanowicz
Southwest corner of Grant
Park
South Michigan Avenue and
Roosevelt Road
Born in Poland in 1930 to aristocratic Polish-Russian
parents, Magdalena Abakanowicz endured Nazi occupation during World War II and
then decades of Soviet domination. Many of her pieces reflect issues of
individual dignity and the will to survive, and “the crowd” is a recurring
motif. For example, she is interested in the transformation of the individual
into a cog as well as the idea of “the countless.” She states, “A crowd of
people or birds, insects or leaves, is a mysterious assemblage of variants of a
certain prototype, a riddle of nature abhorrent to exact repetition or
inability to produce it, much as a human hand cannot repeats its own gesture.”
The word “agora,” meaning a large meeting place in a
city, is the title given to this gathering of 106 headless, armless, 9-foot
tall iron figures on the southern edge of Grant Park. The textured,
rust-colored finish suggests the bark of a tree or wet, clinging drapery. Each
figure weighs approximately 1800 pounds and each was hand-molded by the artist.
She traveled to Chicago to position the figures before they were bolted to the
concrete base. Described as “spooky,” “ugly,”
“claustrophobic,” but also “powerful,” public appreciation of Abakanowicz’s piece will
likely follow the pattern of many other large scale works of sculpture in
Chicago: initial resistance followed by acceptance and, eventually, the
adoption of the work as one of many visual symbols associated with the
city.
No comments:
Post a Comment