Showing posts with label Augustus Saint-Gaudens. Show all posts
Showing posts with label Augustus Saint-Gaudens. Show all posts

Storks at Play (The Bates Fountain)



Storks at Play (The Bates Fountain), 1887
Augustus Saint-Gaudens and Frederick William MacMonnies
Lincoln Park Conservatory Garden
East of Stockton Drive near Belden Avenue

            The donor of the fountain, Eli Bates, was a partner in the Chicago lumber firm of Mears and Bates and Company. When he died in 1881, his will included a bequest for a Lincoln statue in Lincoln Park (now known as the “Standing Lincoln”) and for this fountain. Both commissions were given to Augustus Saint-Gaudens, who enlisted his one-time assistant Frederick W. MacMonnies to model the figures and birds. MacMonnies had contributed the Triumph of Columbia, a barge of allegorical female figures, to the Grand Canal at the 1893 World’s Columbian Exposition.
            The fountain contains storks (or, possibly, herons) with outstretched wings and water spraying from their beaks. Bronze figures that are half-boy and half-fish are each struggling with unwieldy fishes amidst the jets of water. Sculptor Lorado Taft declared that, for “sheer dexterity and manipulation,” there was no American sculptor that could be compared to MacMonnies. 



Abraham Lincoln: The Man (Standing Lincoln)


Abraham Lincoln: The Man (Standing Lincoln), 1887
Augustus Saint-Gaudens
Lincoln Park
Clark Street at North Avenue

            Considered by many to be not only the finest portrayal of the sixteenth president but also one of the best examples of monumental sculpture in the United States, the work typically described as the “Standing Lincoln” was created by Irish-born American sculptor Augustus Saint-Gaudens (1848-1907). The artist based his depiction upon a six-foot-four farmer from Windsor, Vermont and the plaster life mask and casts of Lincoln made in 1860 by sculptor Leonard W. Volk in his Clark Street studio in Chicago.
            This monument was funded by a $40,000 bequest in the will of lumber merchant Eli Bates that called for a Lincoln statue in Lincoln Park. Saint-Gaudens was chosen after he refused to participate in a design competition for the project and all other applicants were eliminated. The artist had seen Lincoln during his campaign in New York and would later view his body lying in state. At the unveiling on October 22, 1887, approximately 5000 people stood in the rain to watch Abraham Lincoln’s grandson pull the rope to reveal the statue.
            The nearly 12-foot tall bronze figure stands before a claw-legged chair inspired by a cast of a seat from a Greek theatre at the Boston Museum of Fine Arts. Sculptor Lorado Taft admired the work and described the chair as “an ingenious device” that helped to reinforced the silhouette of the figure from a distance but seemed to disappear once the viewer came closer and focused upon Lincoln’s naturalistic pose and expression. Saint-Gaudens apprenticed as a cameo-cutter in New York and later trained at the École des Beaux-Arts in Paris. Here he combined his technical skill with an innovative approach that departed from the Neoclassical convention of classical garb and idealized figures.
            The figure and chair are mounted on a semi-circular pink granite exedra designed by Stanford White of McKim, Mead and White. The base includes inscriptions from Lincoln’s speeches and he appears to have arisen from his chair to deliver one of them. Replicas of this famous statue are located in London, Mexico City, New York, Boston and on the farm near Hodgenville, Kentucky where Lincoln was born.

Other statues of Lincoln in Chicago: 


Related articles: