Reading Cones, 1988 (installed 1990)
Richard Serra
Grant Park
Butler Field, south of
East Monroe Drive
Reading Cones
takes its name from Reading, Pennsylvania, the town where the pieces were
fabricated. Richard Serra, born in 1939, is a renowned sculptor (and video
artist) known for works in metal that investigate the interaction between art
object, the environment and the viewer. Serra spent years working in steel
mills and shipyards before receiving his M.F.A. from Yale University and he has
continued to employ the skills and techniques he learned in those venues.
Associated with the anti-illusionistic tendencies of Minimalism, Serra’s work
focuses upon the tangible qualities of his materials, the processes involved in
manipulating them, and the bodily experiences produced by his large-scale
sculptures.
Serra’s approach to public art has not been immune to
controversy. There is the famous case of Tilted
Arc, a 120-foot long, 12-foot high Cor-Ten steel arc that was commissioned
by the General Services Administration and placed in the Federal Plaza in Lower
Manhattan. As a monumental work that effectively blocked direct passage across
the plaza, Tilted Arc could be
understood as a piece that heightened perceptual awareness and creates a
“behavioral space,” or as an inconvenient and confusing barrier to the entrance
of the building. Serra argued that the piece was site-specific and could not be
sensibly moved to another site so it was placed in storage.
Reading Cones
is two pieces of three-inch thick curved Cor-Ten steel, each measuring 17 by 14
feet and weighing approximately 32,000 pounds. Cor-Ten steel has a surface that
looks rusty but is effective in resisting corrosion and does not need paint.
The freestanding pieces are positioned with just enough room for a person to
pass through or stand within the space. The Leo Burnett Company, a creative
advertising agency, officially donated the work to the city of Chicago in 1990
and it was placed temporarily in Grant Park. Although its final destination was
to be the entrance to the State Street Mall, the sculpture was never moved.
No comments:
Post a Comment