Untitled
Sounding Sculpture, 1975
Harry
Bertoia
200
East Randolph Street
Commissioned
by the Standard Oil Company for the plaza of its headquarters building, Harry
Bertoia’s Untitled Sounding Sculpture originally
included eleven clusters of copper-beryllium alloy rods welded to brass plates
mounted on granite pedestals located in front of the building (known initially
as the Standard Oil Building, then the Amoco building and, today, the Aon
Center). Set at right angles to one another in a large reflecting pool, the
rods—ranging from 4 to 16 feet in height—collided with one another in the
breeze, producing a variety of sounds, depending upon the length of the rods,
the velocity of the wind and the size of the rod cluster. During the 1990s, the
sounding sculpture was split between east and west areas alongside a large
sunken plaza and now only six of the original eleven elements are on display.
Bertoia (1915-79) was an Italian-born
sculptor and furniture designer who studied at Cranbrook Academy near Detroit.
Perhaps best known for his 1952 chair design that used wire webbing on a steel
cradle, Bertoia began experimenting with sound sculptures during the 1970s with
his son Val. Inspired by a fascination with the Aeolian harp (a stringed
instrument activated by the wind) and memories of wheat fields swaying in the
breeze, Bertoia later experimented with “playing” and manipulating his metal
sound sculptures by hand, producing a series of vinyl LP albums under the name
“Sonambient.”
In spite of its location near a busy
street in downtown Chicago, the Untitled
Sounding Sculpture manages to envelop those who sit nearby in a gently
sonorous environment that is unexpected in a metropolitan setting dominated by
the drone of traffic and the bustle of pedestrians.
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