Renaissance Park Sculpture Fountain, 2001
Jerzy Kenar
1300 West 79th Street
When
Mayor Richard M. Daley dedicated this one-acre park, he stated that, “The area,
which was once ignored and run-down, has begun a new era, a renaissance, of
exciting change." In 2000, the city transferred a derelict site in the
Auburn-Gresham neighborhood to the Chicago Park District for the creation of a
passive park (no ball playing, no skateboarding). It was named in honor of its
symbolic and physical importance to the improving community.
Kenar's
sculpture is the centerpiece of the park. Black granite spheres in a pyramidal
pile represent significant African American figures. The names of eleven
significant people who made important contributions to music, literature, sports,
politics, and social change are incised into the individual stones. Among the
names are Chicago Mayor Harold Washington, "father of modern Chicago
blues" musician Muddy Waters and Jean Baptiste Pointe du Sable, regarded
as the first permanent resident of Chicago. Water flows from the sculpture down
a path toward a tall black granite plinth. This "river" represents a
spring of positive change symbolically allowing love and positive energy to
flow through the entire community.
Polish-born
artist Jerzy Kenar (born 1948) lived in Sweden before emigrating to the United
States in 1979 and opening the Wooden Gallery in Chicago in 1980. As well as
large scale wooden sculptures, he also produces works of bronze and stone.
Kenar may be best known for religious sculpture and liturgical furnishings
throughout the United States, including works in Chicago such as the Millennium
Doors at Holy Trinity Church, Afrocentric furniture at St. Sabina Church, the
holy water font at Loyola University's Madonna della Strada Chapel and the
crucifix at St. Malachy Parish in Brownsburg, Indiana. In 2005, in response to
owners who do not clean up after their dogs in his neighborhood, Kenar
installed a piece entitled Shit Fountain
in front of a residence at 1001 North Wolcott Avenue at Augusta. In an
interview with TimeOut Chicago, Kenar
noted that no one complained to him about the fountain, a three-foot-high
column of concrete and sandstone with an immediately recognizable coiled mound
of bronze on top.
No comments:
Post a Comment