Spirit of Music (Theodore Thomas
Memorial), 1923
Albin Polášek
Grant Park
East of South Michigan Avenue and north of East Balbo Drive
East of South Michigan Avenue and north of East Balbo Drive
Holding a lyre in her left hand and extending her right
in a motion that evokes a conductor in action, this majestic 14-foot tall bronze
figure honors the memory of Theodore Thomas, violinist and first conductor of
the Chicago Symphony Orchestra. Starting in 1864, Thomas traveled with his own
orchestra to various cities in the United States, including Chicago, presenting
summer concerts. In 1889, Thomas was approached by Charles Norman Fay, a
Chicago businessman, who asked him if he would agree to come to Chicago if they
gave him a permanent orchestra. He replied, “I would go to hell if they gave me
a permanent orchestra.”
Thomas led the first concert of the Chicago Symphony
Orchestra on October 16, 1891 at the Auditorium Theatre and it featured works
by Beethoven, Wagner, Tchaikovsky and Dvořák. His dream of achieving a
permanent home for the Orchestra was realized with the December 1904 dedication
of Orchestra Hall, designed by Daniel H. Burnham. Sadly, Thomas contracted
influenza while preparing for the opening concert and died of pneumonia on
January 4, 1905.
The B. F. Ferguson Monument Fund commissioned Czech
artist Albin Polášek (1879-1965) to create this memorial and the artist
fashioned a “feminine, but not too feminine” figure who might convey the
grandeur of the symphony. The strong, sweeping lines of the drapery emphasize
the curves of her body and arm and she stands upon a hemispherical base with
low relief images of Orpheus, musician of Greek mythology, playing his lyre,
opposite the figure of Chibiabos, the singer in Longfellow’s narrative poem
“The Song of Hiawatha.” Surrounding animals appear to be listening to the
music. Polášek claimed that his own face was present on the piece as well,
behind the mask on the lower end of lyre held by the female figure.
The sculpture has had a tumultuous life in terms of
relocation. Originally erected facing Orchestra Hall across Michigan Avenue
near the Art Institute, the site included a granite exedra and bench that
depicted orchestra members playing their instruments, designed by architect Henry
Van Doren Shaw. The statue was moved in 1941, when the museum’s south garden
underwent renovations, and placed in front of a classically-inspired peristyle
in Grant Park near Randolph Street. In 1958 the statue was moved again to a
spot near the Clarence F. Buckingham Memorial Fountain formerly occupied by the Governor Henry Horner Memorial. Sometime during the early 1990s, a jogger on the lakefront discovered
pieces of the original carved exedra and they were subsequently retrieved and
restored by the Chicago Park District. The statue, formerly known as the “Grant
Park Sweetheart,” was given a new home with its original exedra restored on
Balbo Drive.
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