Flamingo, 1974
Alexander Calder
Federal Plaza
Dearborn Street between Adams Street and Jackson Boulevard
During the 1920s, while living in Paris, American artist
Alexander Calder would delight members of the avant-garde who visited his
studio with his “circus” performances, featuring tiny kinetic figures and
animals crafted from wires and other ordinary household materials and activated
by hand, gears, hoses, strings and see-saw contraptions. Calder’s affinity for
the circus may explain the pomp that surrounded the unveiling of Flamingo on October 25, 1974: he arrived
at the Federal Plaza atop a white and gold circus wagon drawn by 40 horses.
Early in his career, Calder became famous for his
“mobiles,” a term coined by artist Marcel Duchamp in 1931 to describe a type of
kinetic sculpture with balanced or suspended components that move in response
to air currents or motors. By contrast, his non-moving and, particularly, his
large scale public works are known as “stabiles.” From 1953 to his death in
1976, Calder dedicated much of his time to large-scale projects, creating a new
type of public sculpture that challenged the notion of sculpture as
compositions of masses and volumes in favor of works with open spaces. In the
case of Flamingo, although 53-feet
tall, it maintains a human scale because it can be walked through, as well as around.
Commissioned in 1973 by the General Services
Administration’s Art-in-Architecture program, Flamingo provides a fanciful counterbalance to the three
surrounding structures designed by Ludwig Mies van der Rohe. The glass and
steel grids of Mies’ buildings provide frame and dark backdrop for the elegant
curves and bright vermilion color, used so frequently by Calder that it is
known as “Calder Red.” At its unveiling, Mayor Richard J. Daley declared, “The
Loop is now one of the world’s largest outdoor museums for contemporary art,”
as Calder’s work joined the famous Picasso
sculpture of 1967 and 1974 mosaic work FourSeasons by Marc Chagall along Dearborn Street.
Other work:
Other work:
This has long been one of my favorite pieces of public art, especially when the farmer's market invades the plaza!
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